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 Sabarimala

Women and Sabarimala

 

An age old discipline that is still followed at Sabarimala is the ban on the entry of young women to the hill shrine. In fact, eves are not allowed even in to the poonkavanam or forest around Sannidhanamm, making Sabarimala
the only temple in India where women aged between 10 and 50 cannot visit.

The ban has always been a controversial issue and a heavy demand to revoke it was raised by many a feminist organisation.However, the Devaswom and other agencies connected with Sabarimala have been successful in resisting this demand.One of the main reasons cited to justify this traditional stand is the duration of period of penance. Tradition insists on 41-day severe penance before undertaking the pilgrimage.The fact that it is womanly impossible to stick on to a strict routine laid down against a conservative Hindu background, especially the stigma attached to menstruation, is cited as one reason for restricting women's entry.

Similarly, the six-km trek from Pamba to Sannidhanam through hazardous forest path is physically a demanding task. However, this argument will not hold good in today's world abundant with examples of Amazonian talents.

Presiding priest of Sabarimala Tantri Kandararu Rajeevararu points out the exact reason: ``Millions of devotees throng Sabarimala during the pilgrimage. And presence of women among them can lead to law and order
problems as not everybody, however ardent devotee he is, need not behave decently with women.''The concept about Ayyappa as installed at Sabarimala is that of a brahmachari in penance. The lore also says that he has vowed to remain a bachelor. People cite these reasons also to justify the ban on women's entry.


AYYAPPA AND ILAYATHAMPURATTY KALLU:
The Ilayathampuratty Kallu, a small stone statue hidden by time in a niche on a wayside rock, has nothing significant to catch the attention of devotees streaming to Pamba on the Laha Road. For, not many realise that this statue believed to be that of a princess of the Pandalam Palace stands as a warning post to women against undertaking a pilgrimage to Sabarimala.The story goes that a young princess of the Pandalam family insisted on accompanying the King on the first pilgrimage to Sabarimala even as other female members of the family stopped their journey at Kakkad, near Laha.However, the princes couldn't continue her journey from Laha due to unexpected menstrual problems. She informed the King about it and said she would wait for them in the hut of a Kani tribal. (According to Hindu beliefs, women shouldn't take part in any religious functions during menstruation.)And on his return the King was shocked to see that the princess had turned into a granite statue. The incident reminded him of Ayyappa's words that none without a 41-day penance should visit the hill shrine.

The royal representative accompanying the Thrivabharanam procession stops at the statue and offers pujas before proceeding to Pamba. And as the procession winds its way towards the hill shrine, the orphaned statue says a
silent adieu.

AYYAPPA AND MALIKAPPURAM:
A pilgrimage to Sabarimala is not complete without visiting to Malikappuram, shrine of goddess at Sannidhanam. Though there are many stories about the relation between the Lord and Malikappuram, the most heartrending is the one portraying the goddess as Ayyappa's lover; certain rituals and practices underscore this theory.Mahishi was a demoness with the face of buffalo who wreaked havoc among villagers and sages. None could kill her as she was insulated with a boon that she shouldn't be killed by anyone born of man-woman relation. Ayyappa is believed to be the son of Siva and Vishnu and the main objective of his incarnation was to kill Mahishi.

After killing Mahishi at Erumely, the Lord danced on her carcass. Then Leela, the previous birth of Mahishi, came out of the dead body and bowed before Ayyappa with a request to marry her which was rejected by the Lord,
who had embraced Brahmacharya.

But Ayyappa told Leela that he would shed his sainthood if no new devotee visited him during a season. And she began her wait at the adjoining shrine.On the Makarasamkramam day (first of MAlayalam month Makaram falling in mid-January) after the Makaravilakku spectacle, idol of Malikappuram is taken out in a procession accompanied by drums and pipes. The goddess comes on an elephant to the pathinettampadi before proceeding to Saramkuthyaal, a pipal tree one km away from the shrine. New devotees visiting the shrine deposit toy bows and arrows bought from Erumely at this spot, believed to be where the Lord had left his weapons before merging with the Sastha idol.

On reaching the spot the goddess finds out that thousands of toy weapons are dumped at the spot announcing the arrival of many new devotees. The drums fall silent as Malikappuram slowly makes her way back to Sannidhanam
before she begins her one-year wait hoping that no new devotee would trek the mountain next season. One more chapter is added to a celestial love story.

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